Design and Architecture

Paul Housberg / Design and Architecture

How to Achieve the Best Public Art

Working to create the best public art possible

Yours truly (center) with architects Mitch Hirsch (L) and César Pelli (R) of Pelli Clarke Pelli, deep in a public art planning process.

Shortly after finishing my last post about the differences between gallery work and public art, I stumbled upon this scathing critique of the state of contemporary public art, with a particular focus on work created through “1% for Art” programs across the United States.

Gallery Work versus Public Art

Glass Installation by Paul Housberg for Michigan State University (Gallery Work versus Public Art)

A public art installation I created for Michigan State University, 2016 (Photo: Derrick Turner)

Lately I’ve been thinking about the many complexities of public art; how the creation of public art differs from private studio practice; and how many people don’t realize there’s any distinction between gallery work versus public art. Isn’t art just art, whether it’s exhibited in a gallery or the lobby of City Hall?

The Conceptual Rendering – What It Is and Is Not

Conceptual rendering for art glass installation by Paul Housberg at Spaulding Rehabilitation Hospital

Rendering for installation at Spaulding Rehabilitation Hospital, Boston

One of the most exciting and challenging moments in any architectural glass design process is creating a conceptual rendering for the client.

Beleschenko’s Colored Glass Panes in Liverpool

Rendering of Beleschenko’s colored glass panes for the new Royal Liverpool University Hospital

Rendering of Beleschenko’s art glass for the new Royal Liverpool University Hospital (image via NHS)

 

What could colored glass panes, the Beatles, and healing have in common? If you’ve followed my blog for any length of time, you probably know my answer – which is, in short, everything!